All your art, wherever you are.

Most of your collection is never on the wall. It is in storage or at the other house. OTERRA puts every piece on your phone at full size, and only you can see it unless you share it.

El portero, Magola Moreno
El porteroMagola Moreno, 2026
American imperialism is... chicken, Juan Pérez Agirregoikoa
American imperialism is... chickenJuan Pérez Agirregoikoa, 2021
Untitled, Santos Motoapohua de la Torre
UntitledSantos Motoapohua de la Torre, 2022
Esquina apropieada, Andrés Anza
Esquina apropieadaAndrés Anza, 2025
Sin título, Dr. Lakra
Sin títuloDr. Lakra
Encima, un páramo, Valeria Alfonso
Encima, un páramoValeria Alfonso, 2026
Luminous Cloud, Anas Albraehe
Luminous CloudAnas Albraehe, 2025
Flores voladoras, Lance Wyman
Flores voladorasLance Wyman
El encuentro / the encounter, Javier Morales Casas
El encuentro / the encounterJavier Morales Casas, 2025
Sin título, Pedro Reyes
Sin títuloPedro Reyes
Oxxo en construcción II, Ramona Rocha
Oxxo en construcción IIRamona Rocha, 2025
Explosión de Color, Maria Catalina Muñoz Gomez
Explosión de ColorMaria Catalina Muñoz Gomez
El perfil de la selva, Juan José Camacho
El perfil de la selvaJuan José Camacho, 2022
Vivario Doméstico II: contemplar la vida, Michelle Galaviz
Vivario Doméstico II: contemplar la vidaMichelle Galaviz, 2024
Peces mamá e hijo, Carlos Amorales
Peces mamá e hijoCarlos Amorales, 2025
Elvis, Luisa Montoya
ElvisLuisa Montoya, 2026

See your art in a new light.

Walk through it

Walk through your rooms.

Draw the walls and hang your collection, every painting at its real size.

Sculptures in 3D.

Scan one with your iPhone and it stands in the room.

On your own wall.

See a painting on your wall at its real size before anyone moves it.

Add a piece from wherever you find it.

kurimanzutto’s page for Dr. Lakra, untitled, 2025
Dr. Lakra, untitled, 2025

Untitled

Dr. Lakra, 2025

Medium
Gouache and watercolor on paper
Size
46 × 35.2 × 4 cm
Gallery
kurimanzutto

Jerónimo López Ramírez, who works as Dr. Lakra, was born in Mexico City in 1972. Largely self-taught, he left high school in 1988 to join Gabriel Orozco’s Taller de los Viernes.

Shows 114 · 36 solo / In collections 6 / At auction 23

Why do you like it?

  1. A gallery’s page.

    Save a piece from the gallery’s website, its viewing room or the PDF it sent you.

  2. Becomes your record.

    The picture is cropped to the work, and the title, date, materials and size come off the page for you to check.

  3. With the artist behind it.

    Their biography and career come with it: the shows, the collections and the sales, each with its source.

  4. For later, or for good.

    Keep it on your Wishlist with a line on why you want it, or in your collection once it is yours.

Share only what you choose.

Invite a partner or an advisor to see it or edit it with you. Or give the pieces you choose a page anyone can open. Prices and papers stay private.

The record your family will need.

Certificates, invoices, what you paid and in which currency, and your notes. Every move is logged, so you always know where a piece is.

  1. BoughtThe gallery
  2. FramedThe framer
  3. ShippedThe shipper
  4. HungThe living room wallNow

Walk the fair before you get there.

See every booth, with prices. Tell OTERRA what you like and it picks a few pieces to see in person. It asks what you thought of each, and learns your taste.

A question in Ask about Elvis by Luisa Montoya: what do you like or dislike about it, with reasons to tick

Know what you’re looking at.

The story behind each piece.

What a work means and where it has been shown, with sources. Some come as a film, like this mural by Santos Motoapohua de la Torre.

Andrés Anza’s career on OTERRA: a chart of his shows, prizes, residencies and fairs by year, and the list of his shows

Each artist’s career.

Shows, biennials, museum collections, prizes and auction results, each with its source, charted year by year. Follow artists and galleries, and their Instagram posts arrive in one feed.

Start with one piece.

Free for now.

OTERRA